Igloo di Giap (Giap’s Igloo) is the first of more than 100 igloos that Mario Merz would make during his long career. An iconic cipher, the igloo is for Merz a symbol of nomadic and temporary living, archaic yet also contemporary; it is also a metaphor for the cosmos in which opposites coexist. Each igloo uses different materials and elements according to the place where it was made so that the same igloo is never repeated twice. Exhibited in 1968 in a group exhibition in Rome, Igloo di Giap consists of a metal structure on which clay loaves are affixed along with a neon sign bearing, in the artist’s handwriting, a famous phrase by Vietnamese general Võ Nguyên Giáp: “If the enemy concentrates, it loses ground; if it disperses, it loses strength.” The phrase, if read in full, forces the viewer to make three turns around the igloo in a circular motion that recalls the spiral, another of Merz’s stylistic hallmarks, and translates his conception of reality as a process field where energy concentrates and expands according to the rhythms of the living and the cosmos. The artist has said of this work, “The idea is round. See how the idea of the general is neutralised. If you follow the saying, you go back to its beginning and see how it rolls up and subsides. There is no clarification, no logic, no progress. It is a contained dynamic force.”
Mario Merz (1925, Milan, Italy – 2003, Milan, Italy). An internationally renowned artist, Merz held his first solo exhibition at Galleria La Bussola in Turin, Italy in 1954. Influenced by Informal and Abstract Expressionism, Merz worked on crossing the boundaries between painting and sculpture. Inserted into the Arte Povera movement by Germano Celant, he participated in the group’s first exhibitions. He got his first solo exhibition in the United States at the Walker Art Center, Minneapoli, USAs (1972); major retrospectives followed at Museum Folkwang, Essen, Germany, Stedelijk van Abbemuseum Eindhoven, the Netherlands (1979) Whitechapel, London, UK (1980); ARC/Musée d’Art Moderne de la Ville, Paris, France; Kunsthalle, Basel, Switzerland (1981); Moderna Museet, Stockholm, Sweden; Palazzo dei Congressi, San Marino (1983) and Kunsthaus Zurich, Switzerland (1985). Among other major group shows, he has participated in the Sydney Biennial (1979); Documenta (1972, 1977, 1982, 1992) and the Venice Art Biennale (1976, 1978, 1995, 1997). He received an honorary degree from Dams of Bologna (2001), and the Praemium Imperiale from the Japan Art Association (2003).