Artist

Ran Slavin

Battlefield

2018, three channel video, audio, 13’05’’. Courtesy of the artist

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Battlefields is a three-channel video installation that, through drone footage, explores the ruins and debris of five military sites scarred by combat exercises. To these scars on the earth’s surface Ran Slavin contrasts the sinuosities of the human anatomy. Manoeuvred from military centres thousands of miles from their targets, drones are now a military tool of surgical precision, making them the most explicit example of the transformation of warfare in the 21st century.
The three largest producers of drones are the United States, China and Israel, with the latter nation being the largest exporter and among the first to use them militarily, as early as the Yom Kippur War in 1973. In this video, Slavin explores the ruins left on the battlefields and through artificial drone vision wanders among these ruins – tangible evidence of the madness of war. This battered landscape contrasts with the footage of a female body, which, Slavin suggests, has been simultaneously exploited and abused by men. Battlefield thus becomes an elegy on war, love and pain.

Ran Slavin (1965, Jerusalem, Israel) lives and works in Tel Aviv. Slavin is a digital video artist, composer and film maker. His work explores technological aesthetics, science fiction, dreams, digital dimensions, and geopolitical issues through video, sound installations and music recordings. His works have been exhibited in Ramat Gan Museum of Art, Ramat Gan, Israel (2023); Decentral Art Pavilion at the Venice Art Biennale (2022); Nakanojo Biennale Japan (2021); Rubin Museum, Israel (2020); the Herzliya Museum of Contemporary Art, Israel; Mediations Biennial,  Poland; the Istanbul Biennale, Turkey;  Videoforms, Clermont-Ferrand, France; Network CCA, Belgium; Museum on the Seam, Jerusalem, Israel; Transmediale and Merz-music, Berlin; Rencontres International, Paris,Berlin and Madrid; Petah Tikva Museum, Israel; New Museum New York, USA (2016); Halle 14, Leipzig, Germany (2015); The Nicosia Municipal Arts Centre, Cyprus (2015); Hong-gah Museum, Taipei, Taiwan (2014); Kunsthalle, Hannover (2013). 

Battlefield

2018, three channel video, audio, 13’05’’. Courtesy of the artist

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